๐Ÿ“„

Harmonics (๋ฐฐ์Œ)

Mark as In Progress

์ •์˜

๊ธฐ๋ณธ
๐Ÿ“„
Frequency - Hz (์ฃผํŒŒ์ˆ˜)
์˜ ์ •์ˆ˜๋ฐฐ๋กœ ์กด์žฌํ•˜๋Š” ์ฃผํŒŒ์ˆ˜ ์„ฑ๋ถ„๋“ค์˜ ์ง‘ํ•ฉ์ด๋‹ค.

์„ค๋ช…

Harmonics ๊ฐœ๋…์€ ๊ณ ์ „ ์Œํ–ฅํ•™๊ณผ
๐Ÿ“„
Fourier Transform (ํ‘ธ๋ฆฌ์— ๋ณ€ํ™˜)
ํ•ด์„์—์„œ ๋ฐœ์ „ํ–ˆ์œผ๋ฉฐ, ๋ชจ๋“  ์ฃผ๊ธฐ์  ์‹ ํ˜ธ๋Š”
๐Ÿ“„
Fundamental Frequency - F0 (๊ธฐ๋ณธ ์ฃผํŒŒ์ˆ˜)
์™€ ๊ทธ ์ •์ˆ˜๋ฐฐ ์„ฑ๋ถ„์œผ๋กœ ๊ตฌ์„ฑ๋œ๋‹ค๋Š” ์ด๋ก ์  ํ‹€์—์„œ ๋‚˜์˜จ๋‹ค.
์•…๊ธฐ ์Œ์ƒ‰, ์ธ๊ฐ„ ์Œ์„ฑ, ์ „๊ธฐ์  ํŒŒํ˜•, ์ง„๋™์ฒด์˜ ๊ณต์ง„ ๊ตฌ์กฐ ๋“ฑ ๋Œ€๋ถ€๋ถ„์˜ ์ฃผ๊ธฐ์  ํ˜„์ƒ์€ Harmonic ๊ตฌ์กฐ๋ฅผ ํ†ตํ•ด ํŠน์„ฑ์„ ๊ทœ์ •ํ•  ์ˆ˜ ์žˆ๋‹ค.
์ด ์„ฑ๋ถ„๋“ค์€ ์ „์ฒด ์‹ ํ˜ธ์˜
๐Ÿ“„
Timbre (์Œ์ƒ‰)
,
๐Ÿ“„
Resonance (๊ณต์ง„)
, ์ฃผ๊ธฐ์  ํŒจํ„ด์„ ๊ฒฐ์ •ํ•˜๋ฉฐ, ์Œํ–ฅํ•™๋ฟ ์•„๋‹ˆ๋ผ ๊ธฐ๊ณ„ ์ง„๋™, ์ „๋ ฅ ์‹œ์Šคํ…œ, ํ†ต์‹  ๊ณตํ•™์—์„œ๋„ ํ•ต์‹ฌ ๋ถ„์„ ์š”์†Œ๋กœ ์‚ฌ์šฉ๋œ๋‹ค.

์›๋ฆฌ

Harmonics์˜ ์›๋ฆฌ๋Š” ์ฃผ๊ธฐ์  ์‹ ํ˜ธ๊ฐ€ ๊ธฐ๋ณธ ์ฃผํŒŒ์ˆ˜๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ •์ˆ˜๋ฐฐ์˜ ์ฃผํŒŒ์ˆ˜ ์„ฑ๋ถ„์„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์ƒ์„ฑํ•œ๋‹ค๋Š” ํŒŒ๋™, ํ‘ธ๋ฆฌ์— ์ด๋ก ์— ๊ธฐ๋ฐ˜ํ•œ๋‹ค.
ย 
  1. ์ฃผ๊ธฐ์  ์‹ ํ˜ธ๋Š” ๋ฐ˜๋ณต์„ฑ(Periodicity)์„ ๊ฐ€์ง€๋ฉฐ, ์ด ๋ฐ˜๋ณต ์ฃผ๊ธฐ T๊ฐ€ ์กด์žฌํ•˜๋Š” ์ˆœ๊ฐ„ ๊ธฐ๋ณธ์ฃผํŒŒ์ˆ˜ f0 = 1/T๊ฐ€ ์ •์˜๋œ๋‹ค.
  1. ์–ด๋–ค ์ฃผ๊ธฐ ์‹ ํ˜ธ๋„ Fourier Series๋กœ ์ „๊ฐœํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ๊ทธ ์ „๊ฐœ ๊ฒฐ๊ณผ๊ฐ€ ๋ฐ”๋กœ ๊ธฐ๋ณธ์ฃผํŒŒ์ˆ˜ f0๊ณผ ์ •์ˆ˜๋ฐฐ ์ฃผํŒŒ์ˆ˜ nยทf0๋กœ ์ด๋ฃจ์–ด์ง„ Harmonic ๊ตฌ์กฐ๋‹ค.
  1. Harmonics๋Š” ์‹ ํ˜ธ์˜ ์Œ์ƒ‰, ๊ณต์ง„, ํŒŒํ˜•์˜ ๋ชจ์–‘์„ ๊ฒฐ์ •ํ•˜๋Š” ๊ทผ๋ณธ ์š”์†Œ์ด๋ฉฐ, ๊ธฐ๋ณธ์ฃผํŒŒ์ˆ˜๋ณด๋‹ค ํ›จ์”ฌ ๊ฐ•ํ•˜๊ฑฐ๋‚˜ ์•ฝํ•  ์ˆ˜ ์žˆ๋‹ค.
    1. Harmonics๋Š” ์ •์ˆ˜๋ฐฐ๋ผ๋Š” ์ ์—์„œ
      ๐Ÿ“„
      Overtone (์ƒ์Œ)
      ๊ณผ ๊ตฌ๋ถ„๋˜๋ฉฐ, ๋ฐฐ์Œ์€ ๊ธฐ๋ณธ ์ฃผํŒŒ์ˆ˜๋ฅผ ์ œ์™ธํ•œ ๋ชจ๋“  ์ƒ์œ„ ์ฃผํŒŒ์ˆ˜๋กœ ๊ตฌ์„ฑ๋˜์ง€๋งŒ ํ•ญ์ƒ ์ •์ˆ˜๋ฐฐ๋Š” ์•„๋‹ˆ๋‹ค.
    1. ์ „๊ธฐ ์‹ ํ˜ธ๋‚˜ ๊ธฐ๊ณ„ ์ง„๋™์—์„œ๋Š” Harmonics๊ฐ€ ์‹œ์Šคํ…œ์˜ ์™œ๊ณก, ๋ฆฌํ”Œ, ๊ณต์ง„ ๋ฌธ์ œ๋ฅผ ์œ ๋ฐœํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์ œ์–ด, ํ•„ํ„ฐ๋ง์˜ ์ค‘์‹ฌ ์ง€ํ‘œ๊ฐ€ ๋œ๋‹ค.

    ๊ตฌ์กฐ

    ๊ธฐ๋ณธ ์ •์˜

    fn = n ยท f0

    Fourier ๊ธ‰์ˆ˜ ์ „๊ฐœ

    x(t) = ฮฃ [ an ยท cos(2ฯ€n f0 t) + bn ยท sin(2ฯ€n f0 t) ]

    Overtones ๊ด€๊ณ„

    Overtone_k = f_{k+1} = (k+1) ยท f0

    ํŒŒํ˜•์— ๋”ฐ๋ฅธ Harmonic ํŠน์„ฑ

    Square Wave: fn = (2nโˆ’1) ยท f0 Triangle Wave: fn = (2nโˆ’1) ยท f0, amplitude โˆ 1/(2nโˆ’1)ยฒ Sawtooth Wave: fn = n ยท f0, amplitude โˆ 1/n

    ์˜ˆ์‹œ

    ์Œ์•…, ์•…๊ธฐ

    • ๋ฐ”์ด์˜ฌ๋ฆฐ, ์ฒผ๋กœ, ๊ธฐํƒ€ ๊ฐ™์€ ํ˜„์•…๊ธฐ๋Š” ๊ธฐ๋ณธ ์ฃผํŒŒ์ˆ˜ ์œ„์— ๊ฐ•ํ•œ 2 - 6๋ฐฐ Harmonics๊ฐ€ ํ’๋ถ€ํ•ด ๋”ฐ๋œปํ•œ ์Œ์ƒ‰์„ ๋งŒ๋“ ๋‹ค.
    • ๊ธˆ๊ด€์•…๊ธฐ (ํŠธ๋ŸผํŽซ, ํŠธ๋Ÿผ๋ณธ)๋Š” ๋†’์€ ์ฐจ์ˆ˜์˜ Harmonics๊ฐ€ ๊ฐ•ํ•˜์—ฌ ๋ฐ๊ณ  ์ง์ง„์„ฑ์ด ํฐ ํŠน์„ฑ์ด ๋‚˜ํƒ€๋‚œ๋‹ค.
    • ํ”ผ์•„๋…ธ์˜ ํƒ€ํ˜„ ๊ตฌ์กฐ๋Š”
      ๐Ÿ“„
      Inharmonics (๋น„๋ฐฐ์Œ)
      ๊ฐ€ ์กด์žฌํ•˜์ง€๋งŒ ์—ฌ์ „ํžˆ Harmonic ๊ทผ์‚ฌ๋กœ ๋ถ„์„์ด ๊ฐ€๋Šฅํ•˜๋‹ค.

    ์ธ๊ฐ„ ์Œ์„ฑ

    • ์„ฑ๋Œ€์˜ ๊ธฐ๋ณธ ์ง„๋™์ด f0์„ ๋งŒ๋“ค๊ณ , ๊ตฌ๊ฐ•, ๋น„๊ฐ•์˜ ๊ณต์ง„ ๊ตฌ์กฐ๊ฐ€ ํŠน์ • Harmonics๋ฅผ ๊ฐ•ํ™”ํ•˜์—ฌ ์Œ์ƒ‰์ด ํ˜•์„ฑ๋œ๋‹ค.
    • ๐Ÿ“„
      Formant
      ๋Š” Harmonics๊ฐ€ ์•„๋‹Œ ๊ณต๋ช… ๋Œ€์—ญ์ด์ง€๋งŒ, Harmonics๊ฐ€ ๊ทธ ๋Œ€์—ญ์„ ํ†ต๊ณผํ•˜๋ฉด์„œ ๊ฐ•ํ•œ ์Œ์ƒ‰ ํŠน์„ฑ์„ ์ค€๋‹ค.

    ๊ธฐ๊ณ„ ์ง„๋™, ๊ณตํ•™

    • ๋ชจํ„ฐ, ํšŒ์ „์ถ•, ๋ฒ ์–ด๋ง ๊ณ ์žฅ ์ง„๋‹จ์—์„œ Harmonics ๋ถ„์„์€ ์ด์ƒ ์ง„๋™์„ ํƒ์ง€ํ•˜๋Š” ํ•ต์‹ฌ ์ง€ํ‘œ๋‹ค.
    • ํ„ฐ๋นˆ๊ณผ ์—”์ง„์˜ ํšŒ์ „์ฒด๋Š” ํšŒ์ „ ์†๋„์˜ ์ •์ˆ˜๋ฐฐ์—์„œ ๊ฐ•ํ•œ Harmonic ํŒจํ„ด์„ ๋ณด์ธ๋‹ค.

    ์ „๋ ฅ, ์ „์ž ์‹œ์Šคํ…œ

    • ๋น„์„ ํ˜• ํšŒ๋กœ์—์„œ ๋ฐœ์ƒํ•˜๋Š” ์™œ๊ณก์€ ์ •์ˆ˜๋ฐฐ Harmonics๋กœ ๋‚˜ํƒ€๋‚˜๊ณ ,
      ๐Ÿ“„
      Total Harmonic Distortion - THD
      ์œผ๋กœ ์ธก์ •๋œ๋‹ค.
    • ์†ก์ „ ์‹œ์Šคํ…œ์—์„œ๋Š” ๊ณ ์กฐํŒŒ(Harmonics)๊ฐ€ ์ „๋ ฅ ํ’ˆ์งˆ ์ €ํ•˜๋ฅผ ์ผ์œผํ‚ค๊ธฐ ๋•Œ๋ฌธ์— ํ•„ํ„ฐ๋ง๊ณผ ๋ณด์ƒ์ด ํ•„์š”ํ•˜๋‹ค.

    ์‹ ํ˜ธ์ฒ˜๋ฆฌ

    FFT ๋ถ„์„์—์„œ Harmonic ํŒจํ„ด์€ ์‹ ํ˜ธ์˜ ์ฃผ๊ธฐ์„ฑ๊ณผ ๊ตฌ์กฐ๋ฅผ ์‹๋ณ„ํ•˜๋Š” ๊ฐ€์žฅ ๋ถ„๋ช…ํ•œ ๋‹จ์„œ๋‹ค.
    ์Œ์„ฑ ๋ถ„์„์—์„œ Pitch Tracking์€ f0์„ ์ฐพ๊ณ , Harmonic ๊ตฌ์กฐ๋ฅผ ํ†ตํ•ด ์Œ์ƒ‰ ๋ฐ ๋ฐœํ™” ํŠน์„ฑ์„ ํŒ๋ณ„ํ•œ๋‹ค.

    Mark as Done